I think that my work, inside is own action, has its roots not so much in the originality at any cost, but in the reflection of the etymological meaning of the terms , through the description of the processes of sedimentation and recognition of the form. From this point of view, looking at it, it is difficult to interrogate about the theme of modernity or originality, because what is understood as form, inevitably seems to have already been designed by the use by the time. In my projects, it is easy to be able to find a link with the history, of places or of beings, in tune with its main references, the city and man. I believe the repertoire of history or even more precisely of tradition gives us fruitful elements for the reconstruction of architecture in the belief that it has always had the ability to produce typical, general-scale forms, capable of supporting and representing fully the collective memory.